Month: June 2018

The Spirit Animals of Freda Kahlo

louiseofarabia

This Saturday, as the Sun transits her natal Venus, one of the world’s most iconic artists will again find herself in the spotlight when the V&A in London hosts an exhibition of the wardrobe and belongings of artist Frida Kahlo, many items of which have been locked away from public view for over 50 years.

Venus rules beauty in all forms, so it is appropriate that the exhibition will not only reference Kahlo’s paintings but also feature her clothing, jewellery and even items of makeup.

The Midheaven and 10th house give clues to the extent and form of our fame and public image. Frida Kahlo’s Midheaven at 23 Taurus 20 is ruled by Venus in the sign of the twins, appropriate for an artist with two dates of birth: A passionate political activist, she was born in 1907 but gave her year of birth as 1910, the year of the beginning of the Mexican Revolution.

In keeping with the communicative nature of Gemini, Frida’s paintings were a means to tell her own story; “They thought I was a Surrealist but I wasn’t. I never paint dreams or nightmares. I paint my own reality.”

The dual nature of Venus in Gemini is present in her paintings and in her self-image. She refused to conform to traditional stereotypes and her self-portraits display the many facets of her complex personality. In some the artist is in traditional Mexican costume, in others clothed in the European fashion. Most striking are those in which the she appears as a boy, sporting the three-piece suit she famously wore for a family photo.

The duality of Venus in Gemini was also present in her romantic life. In the words of Dusty Springfield, she was ‘as capable of being swayed by a girl as by a boy’ and even while married to fellow artist Diego Riviera, had affairs with some of the most glamorous women of the age, including (it is said) the beautiful dancer, activist and agent of the French Resistance Josephine Baker.

Frida was fascinated with Mexico’s pre-Columbian cultures. Many of her paintings contain iconography related to Aztec beliefs and mythology. She and her husband even built a model of an Aztec temple in courtyard of their home (the ‘Blue House’ in Coyoacán) which can still be visited today. Many of the animals which appear in her self-portraits reference the Aztec and Mayan belief in the ‘nahual’; a spirit animal companion very similar to the concept of the daemon (a person’s ‘inner-self’ in animal form) which will be familiar to readers of Philip Pullman’s ‘His Dark Materials’ books. Unsurprisingly, the animal companions which appear in Frida’s paintings are all Geminian in nature; agile monkeys, talkative parrots, variegated butterflies and hummingbirds which were her constant companions, both in art and in life.

Natal chart of Frida Kahlo by Astrogold for Mobile 6 July 1907 from Astrodatabank (Rodden Rating AA)

Picture credits: 'Self portrait with Monkey' 1940 and 'Me and My Parrots' 1941 both by Frida Kahlo 

Astrology by Louise Of Arabia www.louiseofarabia.com

Blood Wedding : Death, Duende and the dark god in the chart of Federico Garcia Lorca

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Duende : literally means “ghost” or “goblin” in Spanish…traditionally used in flamenco music or other art forms to refer to the mystical or powerful force given off by a performer to draw in the audience…unspoken charm or allure

(Merriam-Webster Online)

Cover image by Val Denham for Marc and the Mambas (7″ single ‘Black Heart’)

One of Spain’s greatest poets and dramatists, Federico Garcia Lorca was born at midnight on the cusp of 5th/6th June 1898 and was one of the first martyrs of the Spanish Civil War, killed by a Nationalist militia firing squad on 19th August 1936, his body buried in an unmarked grave which has never been found.

A leading light of the Spanish avant garde and a member of the influential group of poets and artists known as the Generation of ’27 (his passionate friendship with Salvadore Dali was intense enough to provoke Dali’s wife Gala into destroying many of Lorca’s letters in a fit of jealousy), Lorca’s plays and poems are characterised not only with the Surrealism which greatly influenced his writing, but by an elusive quality known in Spanish as Duende.

Duende is difficult to define. It can be literally translated as “elf”, or “magic” and relates to a type of earth spirit which in the folklore of Spain, Portugal and the Phillippines inhabits the Dionysian groves of wild forests, and the darkness of abandoned caves and wells. In art, particularly drama, dance and the music of Flamenco, it has come to mean a savage but ephemeral quality which possesses the work (and the artist) with otherworldly charisma and allure.

To understand the quintessence of Duende, there is no better reference than Lorca himself, who in a lecture he gave in Buenos Aires in 1933, describes it as ” a force, not a labour, a struggle not a thought”, “the mystery, the roots that cling to the mire we all know”, a creature who; “sweeping the earth with its wings of rusty knives”, “delights in struggling freely with the creator on the edge of the pit”. In contrast to the Muse, that creature of reason and the intellect, Duende “surges up from the soles of the feet”. It is everything that has “Dark sounds, behind which in tender intimacy exist volcanos, ants, zephyrs and the vast night pressing its waist against the Milky Way”.

What of the astrology of Duende? What might it look like in the birth chart? Again, Lorca gives us the key: Mystery and mire, death and darkness, volcanoes and the underworld – the imagery he employs to invoke this chaotic spirit is almost exclusively Plutonian.

Lorca’s birth chart has the Sun (creativity, identity) conjunct Pluto (death, tearing apart or destroying the self to be reborn) on the cusp of the 4th house; the ‘angle of the earth’ associated with roots, ancestry and all things hidden in and under the ground. There could not be a clearer astrological signature for a spirit who destroys in order to create anew and which might well revel in mortal combat with the poet on the edge of a well.

Federico Garcia Lorca

Astro databank Rodden Rating AA: Chart by Astrogold for Mobile

Although more usually a generational influence, when the the outer planets make their presence felt via contact with a personal planet or angle in a birth chart, the individual concerned can become a gateway for powerful forces, a spokesman for a generation or, perhaps, a channel for the inspiration of a god. Oliver St John in his book “Hermetic Astrology” writes; “Pluto conjunct the Sun transmits a magnetic force for transformation; the force is directed from the individual core of the person and so others tend to identify it with the person, although it is in reality an impersonal power”. With Lorca, (Sun/Pluto conjunction) the creative identification is total and permeates not only his poems and plays, but arguably his life as well.

Next time a song, dance, poem or performance speaks directly to your soul of dark mysteries and strange sorrows, wild woodland groves and the knife-edge of death on which we feel most alive, look in the chart for the signature of Pluto conjunct the Ascendant, Sun or Moon; Duende may be nearby;

“This knife/Left two men stiffening/With yellow lips/It barely fits the hand/But slides in cold/Through startled flesh/Till it stops, there,/In the quivering/Dark/Roots/Of the scream.”

From'Blood Wedding' (Bodas de sangre) : A folk tragedy in three acts' by Federico Garcia Lorca
Excerpt from "Hermetic Astrology" by Oliver St John, ORDO ASTRI IMPRIMATUR 2015

Astrology by Louise Of Arabia www.louiseofarabia.com